From 1a6523bf9a403314527124b2ae2ed7aa945f774d Mon Sep 17 00:00:00 2001 From: Robert Smith Date: Thu, 14 Mar 2019 16:07:42 -0400 Subject: [PATCH] Update 155-the-birth-of-entertainment.md --- content/news/155-the-birth-of-entertainment.md | 1 + 1 file changed, 1 insertion(+) diff --git a/content/news/155-the-birth-of-entertainment.md b/content/news/155-the-birth-of-entertainment.md index 78bb9aca..9df43603 100644 --- a/content/news/155-the-birth-of-entertainment.md +++ b/content/news/155-the-birth-of-entertainment.md @@ -3,6 +3,7 @@ author: brinck-slattery title: 'The Birth Of Entertainment' date: '2020-11-17 14:00:00' cover: 'muses.jpg' +category: content --- The arts have always been a difficult business. In the 1600s, the arts were so competitive that poets and producers hired professional applauders called [claques](https://en.wikipedia.org/wiki/Claque). Shakespeare’s plays have literally [caused riots](https://culturacolectiva.com/books/history-of-riot-at-the-astor-place-shakespeare/). Managing fans and haters have always been a challenge, and our modern mass media culture has been forged in the birth and death of a thousand fandoms.